Thematic Comparison of Lovelace’s To Lucasta and Donne’s Song Essay

Thematic Comparison of Lovelaces To Lucasta and Donnes Song Modern perceptions of warmth as expressed in literature-- with sex activity equality and the abandonment of expected role-playing-- did not arbitrarily become pervasive, that are the product of centuries of incremental progression. The seventeenth century in ill-tempered provided a foundation for this progression, as poets for the very first time began to doubt the dictated structure and male domination of the Elizabethan era. Two poems of the seventeenth century, the cavalier To Lucasta on Going to the Wars by Richard Lovelace and the metaphysical Song by John Donne, each focusing on the pain inflicted by incompatible aspects of bask, employ tactics emblematic of the centurys poetry to dispute loves puzzling nature. Both ostensible attempts to treasure their audiences by universalizing and morally justifying loves baneful realities, they eventual(prenominal)ly fail and give way their audiences with only exacerbat ed pain. To Lucasta, Lovelaces attempt to justify his departure from his lover Lucasta for the British Civil War by subjugating his sensual love to honor, fails in its unordered and contradictory nature, and acknowledges the ability of loves endurance to victimize man, while Song, by trying to alleviate the pain of fleeting love, only underscores loves inevitable elusiveness. Lovelace, one of the preeminent cavalier poets of the seventeenth century, attempts to employment his particular situation with his lover Lucasta as well as an solicitation to honor and patriotism to justify to all soldiers the departure of their lovers, but the poems inconsistencies obviate success. Throughout the poem, Lovelaces mind, understanding the need to go to dispute, remains at war with hi... ...love for his precious Lucasta, however, inconsistencies and wavering pervade his writing, and get around his involuntary mockery of soldierly values and his unbreakable bond to Lucasta. As he must ventu re into battle, he becomes a victim of loves lasting impregnability. Donne, in his Song attempts at first to comfort all men who have encountered the difficulties of romantic relations. With his strong, dominating voice, however, he obliterates the prospects of long-suffering love. Much the opposite of Lovelace, Donne delineates himself as a victim of loves elusiveness. What the two poems have in common is their discomforting effect on their audiences resulting from their eventual resignation to their respective perceived realities. For Lovelace, this reality is a future of battle and a separation from all that matters for Donne, it is a life void of enduring love.