A Reading of Blakes A Cradle Song Essay -- William Blake S. Foster Da

A Cradle SongS. nurture Damons 1947 development of A Cradle Song indicates that most early critics authentic Isaac Watts Hush my dear, lie still and slumber as the model for Blakes poem. However, Damon claims that thither is no more resemblance between the two worksthan there must be between any two cradle-songs. He also claims that the designs of the second headquarters have a Raphaelesque hardness, which is in this day not pleasant.Vivian de Sola Pinto acknowledges the connections between A Cradle Song and Watts work made by Damon and others but notes that no critic has yet explored the relationship between Blakes and Watts work in detail, a task she takes on in her 1957 study. Placing Watts A Cradle Hymn side-by-side with Blakes A Cradle Song, de Sola Pinto analyzes their thematic and prosodic similarities and differences, ultimately reading Blakes song as the delogicalization of Watts hymn.In his 1959 reading of A Cradle Song, Robert F. Gleckner asserts that it is an express ion of Blakes concept of locomote into the realm of higher honor citing as evidence that after 1815, Blake ever so followed A Cradle Song with The Divine Image in the season of Songs of naturalness. Gleckner discusses the movement from pleasant dreams and sweet smiles to moans and weeping as the movement from innocence into experience and ultimate innocence, the hope of mankind which is the ultimate negation of self. Gleckner claims that this song is in truth a prayer, the same prayer mentioned in The Divine Image. Hazard Adams 1963 reading asserts that the poem is both a song and a prayer for the move innocence of the child. Adams classifies the poem as one of Blakes lullabies which Adams claims ... ...iam Blake. Cambridge UP, 1973.Gleckner, Robert F. The Piper and the Bard A Study of William Blake. Detroit Wayne State UP, 1959.Glen, Heather. Vision and Disenchantment Blakes Songs and Wordsworths Lyrical Ballads. Cambridge UP, 1983.Hirsch, E.D. Innocence and get under ones skin An Introduction to William Blake. Chicago UP, 1964.Holloway, John. Blake The Lyric Poet. London Edward Arnold, Ltd., 1968.Keynes, Geoffrey. Commentary. Songs of Innocence and of Experience Shewing the dickens Contrary States of the Human Soul. By William Blake. 1789,1794. New York Orion, 1967.Leader, Zachary. Reading Blakes Songs. London Routledge and Kegan Paul, 1981.Lindsay, David W. Blake Songs of Innocence and Experience. Atlantic Highlands, NJ Humanities Press, Int., 1989.Ostriker, Alicia. Vision and Verse in William Blake. capital of Wisconsin U Wisconsin P, 1965.